Oscar Contender ‘Shame and Money’ Acquired in North America by Oscilloscope (EXCLUSIVE)

Oscilloscope Laboratories has acquired North American rights to Visar Morina’s “Shame and Money.” The film won the Grand Jury Prize in the World Cinema Dramatic Competition at the Sundance Film Festival, which qualifies it to compete for the Oscar for international feature film under new Academy rules. Oscilloscope is planning a theatrical release in early […]

Read on variety.com

This story comes from Variety's feed; the full article and all rights belong to the source.

0 0

#Shame and Money #Visar Morina #Oscilloscope Laboratories

Comments (0)

No comments yet. Be the first to comment.

Oscar Contender ‘Shame and Money’ Acquired in North America by Oscilloscope (EXCLUSIVE)

Comments (0)

Related news

John Carpenter to Receive Filmmaker of the Year at ACE Eddie Awards

Jamie Dornan Says There’s ‘Pressure’ to Taking Over Aragorn Role in ‘Lord of the Rings: Hunt for Gollum’: I’m Not ‘Trying to Outdo’ Viggo Mortensen

Peter Medak, Director of ‘The Changeling’ and ‘The Krays,’ Dies at 88

Jennifer Lawrence Says Playing Katniss Again After 11 Years in ‘Hunger Games: Sunrise on the Reaping’ Was ‘Crazy,’ ‘Unbelievable’ and ‘So Beautiful’

Latvian Oscar Submission ‘Ulya’ Sells Wide Ahead of Opening Tallinn: ‘This Film Is a Blockbuster’ (EXCLUSIVE)

Josh O’Connor Is a Reluctant Boxer in First-Look Clip of National Theatre Live’s ‘Golden Boy’ Ahead of Cinema Release (EXCLUSIVE)

‘One Cut of the Dead’ Director Ueda Shinichiro on Turning a Microdrama Into Tokyo Feature ‘Earthlings in Love’

Camila Mendes, Leslie Bibb Shooting ‘Upgraded 2’ in Venice, Where Biennale Art Show Is Part of Rom-Com’s Storyline

Japanese-Brazilian Grief Drama ‘Yellow Chrysanthemum,’ Set During the 2014 Soccer World Cup, Joins Tokyo Gap-Financing Market

Academy CEO Bill Kramer Maps Oscars’ Global Ambitions in Tokyo: ‘Parasite’ Win Was ‘a Pivot, a Shift’

Taiwan-Japan Film Fund Daily Capital Launches at Tokyo Market, Backs Period Romance ‘Love Ends in Bloom’

Korean Webtoon Adaptations, ‘The Vanishing Act’ Lead 2027 Vertical Slate Unveiled by COL Group, V47 and Virtue Asia

Thai Forest Spirit Horror ‘Cher,’ First Thai Winner at Frontières, Joins Tokyo Gap-Financing Market

Kore-eda Hirokazu Hails Japanese Cinema’s Global Moment as Ninomiya Kazunari, Academy’s Amy Homma and ‘Kokuho’ Producer Murata Chieko Take Stage at Kering Women in Motion Tokyo Event

Oscars Will ‘Always’ Reward Human Excellence in AI Era, Academy Chiefs Say as They Leave Door Open to International Feature Rule Tweaks (EXCLUSIVE)

Tokyo Opener ‘Sukiyaki’ Director Zeze Takahisa on the Protest Roots of a Global Japanese Pop Hit: ‘The Culture Used to Be Wide Open – Now It’s Become Narrower’

Horror Film ‘The Land of Jinn’ Is First Indonesia-Kyrgyzstan Co-Production, Unveiled at Tokyo Gap-Financing Market

Gaza’s women filmmakers turn pain into cinema as new academy launches

Ancestral Memory Meets AI in Himalayan Drama ‘Shirjara: Song of Grandmother’ at Tokyo Gap-Financing Market

Punk Band Guitar Wolf Rocks Back Into Takeuchi Tetsuro’s ‘Wild Zero Overdrive’ at Tokyo Gap-Financing Market

Acrobatic Pastor’s Secret Obsession Drives Boo Junfeng’s ‘Trinity’ at Tokyo Gap-Financing Market

Japanese Producers Drive Tokyo Market Growth as Exhibition Space Sells Out

‘Altadena: One Fire After Another’ Documentary Set by Former ’60 Minutes’ Producers (EXCLUSIVE)

Japan Must Follow Hollywood’s Distribution Playbook, Says Tokyo Market Chief Shiina Yasushi, Who Eyes Major Expansion by 2030