Japan IP Market to Return to Cannes in 2027 as Tokyo Partnership Continues

The Japan IP Market will be back in Cannes next May for a second straight year. The Cannes Film Market and TIFFCOM, the content market of the Tokyo International Film Festival, are again teaming up on the event, and the 2027 edition will run May 14-15. The return was revealed at TIFFCOM in Tokyo, during […]

Read on variety.com

This story comes from Variety's feed; the full article and all rights belong to the source.

0 0

#Japan IP Market #Cannes #Tokyo

Comments (0)

No comments yet. Be the first to comment.

Sign in to write a comment.

Japan IP Market to Return to Cannes in 2027 as Tokyo Partnership Continues

Comments (0)

Related news

Janelle James to Host Critics Choice Awards

‘Everyone in My Family Has Killed Someone’ Series Adds Eight, Including Sean Astin, Patricia Clarkson

‘Queen Sugar’ Author to Develop Novel ‘Friends and Family’ Into Series With UTV, Mary J. Blige, Gina Prince-Bythewood

‘The Other Bennet Sister’: Mary Settles Into Married Life in New Images From Upcoming Christmas Special (EXCLUSIVE)

‘Obsession’ Director Curry Barker Debuts Shocking New Short Film ‘Mama Bear,’ Just in Time for Halloween

Original ‘Hunger Games’ Star Elizabeth Banks Praises ‘Sunrise on the Reaping’ as ‘Amazing’: Joseph Zada Is a ‘Perfect’ Haymitch

Darren Aronofsky to Receive Director’s Award at Poland’s Camerimage Film Festival

Joey King, LaKeith Stanfield to Star in Provocative Alien Romance Comedy ‘Safe Space,’ Lucky Number, CAA Media Finance and WME Independent Launching Sales at AFM (EXCLUSIVE)

‘Christmas at the Kringles’ Review: Seasonal Caper Mixes Comedy and Horror, Missing the Mark on Both

Elke Sommer, ‘Pink Panther’ and ‘The Prize’ Star, Dies at 85

Priyanka Chopra Jonas and V Board Pranav Bhasin’s Oscar-Qualified Indian Short ‘We Were Here’ Alongside Andrew Scott (EXCLUSIVE)

Rotterdam Festival World Premieres Include Malaysian Horror Movie and Nepalese Dostoevsky Adaptation

‘Dune 3’ Popcorn Bucket Has Two Sandworms That ‘Make It Easier to Share’

‘Fuxi: Four Tales of Feasting’ Review: Qiu Jiongjiong Returns With a Sensory Banquet

‘Between Us’ Review: Estranged Teenagers Process Past Tragedy Through High School Theater in Fitfully Ambitious Japanese Drama

Aliens, Dinosaurs and a Father’s Death: ‘Kefi’ Director Saito Kisin Brings a Surreal Take on Grief to Tokyo

Animated Movie Based on Bestseller ‘The Unicorn That Said No’ Travels to Multiple Territories Ahead of AFM (EXCLUSIVE)

‘Ninja Warrior’ Maker TBS Tells Tokyo Market How Legendary, CJ ENM Alliances Fit Its Push to Make J-Content the Next K-Drama

‘Godzilla Minus One’ U.S. Success ‘Wasn’t a Strategy; We Just Tried,’ Says Toho CEO at Tokyo Festival

AI Can Critique Shakespeare But Can’t Write It, Russo Brothers’ AGBO Execs Tell Tokyo Market

Busan Winner ‘Birds in the Dark’ to Close Dharamshala International Film Festival, Varun Grover’s ‘Damned’ Among New Titles

‘The Mosquito Bowl’ Review: Football Heroes Take to the Battlefield in Peter Berg’s Emptily Macho WWII Epic

From Carlos Reygadas to Hamaguchi’s Cinematographer, Tokyo’s Nippon Cinema Now Directors on Unexpected Connections

‘Smile 3’ Sets David Bruckner to Direct While Franchise Creator Parker Finn Helms ‘Possession’ Remake (EXCLUSIVE)