Cineplex Boards Sanfic Title ‘La Residencia’ From ‘Algo Azul’ Director Mariel García Spooner

Latin American distributor Cineplex has picked up both North and South American sales rights to “La Residencia,” Mariel Garcia Spooner’s follow up to hit “Algo Azul.” “La Resdemcia” has just participated in the Sanfic Industria’s WIP Iberoamericana section, a competition of films from Latin America, Spain and Portugal screened in post-production at the industry arm […]

Read on variety.com

This story comes from Variety's feed; the full article and all rights belong to the source.

0 0

#Cineplex #La Residencia #Mariel García Spooner #Sanfic

Comments (0)

No comments yet. Be the first to comment.

Sign in to write a comment.

Cineplex Boards Sanfic Title ‘La Residencia’ From ‘Algo Azul’ Director Mariel García Spooner

Comments (0)

Related news

Box Office: ‘Heated Rivalry’ Fans Drive Show’s Theatrical Release to $1.4 Million

Andy Serkis Says He Was ‘Evangelical’ About Performance Capture After Playing Gollum in ‘Lord of the Rings’ but Now Accepts It’s ‘Misunderstood’: ‘If You Get It? Great’

Sanfic Prizes: ‘Monguen’ and ‘Narciso” Win at Pared-Back Ceremony Due to Sudden Demise of ‘A Fantastic Woman’ Director Sebastian Lelio

Judi Dench Says Vin Diesel Sent Her Flowers ‘the Length of a Kayak’ to Persuade Her to Join ‘The Chronicles of Riddick’: I’m ‘Far Too Easily Wooed’

Box Office: ‘You Can See Everything’ Becomes Second-Biggest Doc Ever in North America With $80 Million

Box Office: ‘Godzilla Minus Zero’ Roars With $31 Million Debut, ‘Cat in the Hat’ Fizzles With $20 Million

Indonesian Horror Hit ‘Pabrik Gula’ Gets 2028 Sequel as MD Entertainment Lines Up Three Imax Films

Former NCT Member Lucas Wong Makes Acting Debut in Taiwanese Folk-Music Drama ‘A Time’ With Jerry Yan, Ning Chang at Taiwan Creative Content Fest

‘The Undertaker’ Director Thiti Srinuan Reveals He Defecated on Camera for Real as an Actor in Thailand’s Taibaan Universe

Cristian Mungiu’s Palme d’Or Winner ‘Fjord’ Takes Jakarta World Cinema Audience Award as Short Film Winners Land Debut Feature Funding

‘The Invisible Guest’ Remake Director Danial Rifki on Suharto-Era Fear and Why His New Thriller Is About ‘How to Fight Back’

Murder-House Impostor Thriller ‘The Stand-In Family’ Wins Mirror Fiction Award at Taiwan Creative Content Fest

AI Could Make Filmmaking Costlier Than the 35mm Era, Korean Pioneers Warn at Taiwan Creative Content Fest

Papua New Guinea’s Most Expensive Film, ‘Mussau: The First Song,’ Wraps Shoot, Unveils First Looks (EXCLUSIVE)

U2’s The Edge Wrote an ‘Elf’ Sequel, But It ‘Petered Out and Never Happened,’ Says Andy Richter

French Cinema Is Thriving at Festivals but Facing an Uphill Battle in U.S. Theaters as Distributors Navigate a Shrinking Market

Bill Skarsgård Says He ‘Wasn’t Even Thrown Into the Mix’ to Be James Bond, Despite British and Australian Actors Auditioning: ‘Maybe They Were Like, “We Can’t Do a Swede”’

Oscar Short Film Race Spotlights Bold Stories, New Animation Tech and Creative Risk-Taking

‘Godzilla Minus Zero’ Director Takashi Yamazaki Dreamed of Seeing His Hometown Destroyed by King Ghidorah. He Finally Made It Happen.

Laika’s ‘Wildwood’ Sets Limited-Edition 4K SteelBook Release

Oscar Predictions: Production Design — Could Something as Innovative and Cool as ‘Backrooms’ Find Love?

‘3 Body Problem’ Director Derek Tsang Boards DEA True-Crime Series ‘Group 41’ From Zhang Yimou’s ‘Shadow’ Producer Jonah Greenberg (EXCLUSIVE)

Davika Hoorne Returning for ‘Inherit’ Sequel, Director Banjong Pisanthanakun Confirms (EXCLUSIVE)

Stephen Chow Told Japan to Stop Aping Kung Fu, Says Boss of Film Fund Behind Kore-eda Hirokazu’s ‘Look Back’